RICHARD CHAMBERLAIN IN 
"THE GOOD DOCTOR"
© 2001. Okihei Enterprise, Ltd. All Rights Reserved.
Tribute to Richard Chamberlain

 

 

 

 

 
The Good Doctor by Neil Simon.

Adapted from and suggested by stories by Anton Chekhov.

A theatre in Russia
1898

Act one
Scene 1

The Writer


 

 
Richard Chamberlain: the Writer.
 

“  THE WRITER "


 

“I can’t leave this place”. The performance was over hours ago and yet I linger… a warm bed and crackling fire, that wakes me up to hundred meters from this very spot is not home. This is my home, this is my sanctuary, this is my heaven. 

How fortunate I am not having to wait till death.

Wraps me in its arm to deliver  me the Walhalla. I’m there, years before my pointed time.

Do you feel as I do about the theatre?

It’s the aroma of that aged and cricking wood that shapes and forms this temple, not Ambrosia?

Was there ever a glass or mirror of more beautiful, more truthful in it’s reflection of this absurd planet, than that precise and perfectly dimensioned jewel box we referred to as the stage!


 

 
Do you hear voices? Do you see shadows? Do you feel life in this dark and empty cathedral? I do, I hear music knowing full well the instruments were stored safely away hours ago. I hear laugher, rising, falling, echoing joyfully from mural ceiling and polished floor. I feel passion, I sense danger, I share sorrow, I experience death, I dare not go home, for I never know when the drama would begin. 

Of indeed it is drama! The players are all here in my mind, waiting for flash of an idea for the curtain to rise, preparing in their tiny little cubicles , pacing nervously in their miniscule dressing rooms until this crazed creature archive’s inspiration and calls out: “Ladies and gentlemen, places please!”

O, God will it never cease?

What forces of the compels me to write so incessantly day after day, page after page, story after story. The answer is simple: I have no choice! I’m a writer.


 

 
And while I’m writing, I enjoy it. I like reading the proofs, but…..as soon as it appears in print, I can’t bear it. I see that’s all wrong, a mistake, that it ought never to have been written, and I am miserable.

….And then the public reads it: “Yes, charming, clever….Charming but a far cry from Tolstoy “…. Or  “ A fine thing , but Turgenev’s  ‘Father and Sons’ is better”. And so it will be to my dying day…. Charming and clever, charming and clever, nothing more…. And when I die my friends will walk by my grave and say: “Here lies so and so, a good writer, but Turgenev was better” ….. 


 

 

 
Sometimes I think I’ll  give it up one day…. What would I do instead?…. Well , I’ve never freely admitted this before, but to you here in the theatre tonight, I would like to tell you what I would most like to do with my life… Ever since I was a small child, I always….. I always….. excuse me for a moment. Just making a note… An idea just occurred to me A subject for a short story… 

 

 

 
Hmm, yes, yes… It was my mentioning the theatre that sparked me…. What was where were we talking about a moment ago…. No matter. My thoughts are consumed with this new story… See if this appeals to you… 
It starts in theatre…. It starts in the opening night of the new season. 
It starts with the arrival of all those dear and devoted patrons of the art who wave and greet each other in Grand Salon, commenting on how this one looks and how that one is dressed, scarcely knowing what play they are about to see that evening…… With the exception of one man….

 
Ivan Ilyitch
Cherdyakov!



 

NEXT
ACT ONE
SCENE TWO
THE SNEEZE